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The bad guys are pitch black evil and never show the slightest sign of remorse or questioning their horrible acts. Which is not the case since blurring the lines of good and evil is not the same as making everybody a psychotic mass murderer who loves to torture and rape innocent people. What it’s actually doing is making you think if you mix extreme violence with extreme comic relief, the result will somehow be more grey than if you have clear cut good guys and bad guys. Speaking of edge, the show is constantly trying to present everything as grey in morality, since most of the heroes are heartless assassins and many of the subordinates of the villains obey them out of duty or some twisted concept of justice. Which is why it appeals so much to edgelords.
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The mood whiplash it creates is immersion breaking, since it can’t maintain a specific emotion for more than a few seconds. Something which is not, since it constantly ruins every dramatic scene with out of place fan service and slapstick comedy. Everybody were so butthurt by Pein being talked into changing his mind and bringing back to life all those he killed, that the instant they found a show not doing that, they hailed it as mature and serious. And by clichés I mean plot armor and talk no jutsu, elements the shonentards got tired of seeing in Naruto. This made it super popular while it was airing and eventually got overhyped into the status of a masterpiece, because it deconstructs the clichés of fighting shonen. If you are one of those people who expects to get emotional from the very first episode, you will lose your shit with this one because (GASP) it constantly kills its characters and doesn’t resurrect them a few episodes afterwards. Akame ga Kill has become the representation of feelziness.
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